Contextual Codes

Quick Read: Think Contextual Codes, not Category Codes. Sometimes it could make a massive difference. 

Fifty years ago, in the fictional world of Mad Men, Don Draper pitched a bold ad campaign to Heinz.

The ads showed close-ups of food that go great with ketchup— a cheeseburger, french fries, a slice of steak—but without any ketchup in sight.

The tagline: “Pass the Heinz.”

But the Heinz clients in the Mad Men episode called it “half an ad”. They wanted to see the bottle.

No wonder Don didn’t get the account.

But now, in March 2017, in a meta union of advertising’s real and fictional worlds, Heinz green lighted the ads.

The best thing: Heinz is slated to run these ads almost exactly as Draper intended, in print and in OOH executions in the New York City. Read more here.

Heinz OOH
Heinz, At 49th and 7th. NYC, Source

Regardless of the fact that these ads are part PR stunt, part on-brand communications, they have something great going for them.

What’s that?

For an insight into that, see any GoPro ad.

And ask the same question.

What do these GoPro Ads have going for them?

GoPro_1GoPro_2

 GoPro_5

My favorite is the following one. (big H/T to Rob Campbell for this one)

GoPro_3

As Rob raves about this ad in his post.

Look at it..Even if you’re not a skier, that photo makes you feel ‘in the action’. Literally in it.

You can feel the snow, the cold, the speed of the World rushing past you.

Then there’s that line, ‘Be A Hero’.

Now compare these GoPro ads to this one from Garmin for the same product category.

Garmin
Garmin, Source

Or this one from Nikon.

Nikon
Nikon, Source

These are all camera brands trying their hand at the “live action category”.

But seeing these, you could say that Garmin and Nikon have failed to understand a crucial distinction between a camera in the ‘live action category’ and that from the photographic category. Sure, they both involve a lens to capture the action, but fundamentally the rules, values and the culture around these categories are very different.

Quoting Rob again from another post,

GoPro’s success is not just because they were one of the first to exploit this market, but because they were part of the culture that created this market.

They understood these people. What they do. What they want. What they feel.

This knowledge influenced everything, from their positioning through to the style of advertising they created.

The fact  that Nikon’s (or Garmin’s) ads show an image that comes from the perspective of watching others do something, highlights how they have failed to understand the audience they are talking to.

So now my question again –  what do  these ads have going for them? 

The New Range Rover Velar’s ad is another case in point. 

(Agency: Spark44 . Directed by Chris Palmer of Gorgeous TV)

From the very first second of the ad you are living it.

Thanks to the brilliant sound design, you feel the jungle cruising by you and the night looming over you.

The car almost becomes your sensory vehicle for this experience.

Now, if you look at them all, don’t these great ads have one thing in common?

The Insight

Don Draper’s ‘Pass the Heinz’ creatives or GoPro’s ads or The New Range Rover Velar’s ad stand out because their executions are not about conforming to any of their respective ‘category codes’ but are about staying true to their respective ‘contextual codes’.

That’s perhaps why you don’t need to show the bottle.

As Don Draper said in his Heinz pitch..

“The greatest thing you have working for you is not the photo you take or the picture you paint. It’s the imagination of a consumer. They have no budget, they have no time limit. And if you can get into that space, your ad can run all day.”

(Featured Image: GoPro Ad)  

Sonder And The Art Of Photography

Quick Read: Perspectives can be valuable.  A Kickstarter campaign shows us how to create value out of them while a multi million dollar campaign from a global brand shows us what it can learn from the former.

Sonder is a fascinating word.

It is the realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness—an epic story that continues invisibly around you. (source)

At a fundamental level, Sonder for me is a shift in perspective that makes me cognizant and appreciative of the tens of thounsands of stories unravelling around me, in all their characteristic diversity and profundity.

It’s sonder that makes Street Photography fine art. It’s sonder that makes Vernacular Photography artistic to our eyes.

In fact, it’s sonder that can even help us put a price to perspectives.

Heard of Tribe Photo? James Kell is a photographer and sailor. In his words..

Recently during my work in Haiti I had an opportunity to put my subjects on the other side of the lens – to give them the chance to experience the pleasure of photographing people.  I found the perspectives of the locals – when they were making the photographs – was completely, strikingly unique. This was the kernel of the idea that is now Tribe Photo.

Read more about the business model of Tribe Photo on its kickstarter page.

But the essential idea that underlies Tribe Photo is insightful and impactful in many ways than one. It gets to the heart of the “art in photography” by transcending the narrative of the camera gear. It puts a value to perespectives as seen through the photographer’s eyes and thereby puts the photographer first, celebrates the art of photography and gives back to the community.

Tribe Photo

I Am Generation Image

Now, contrast that to the campaign that Nikon is introducing this week timed for the Christmas shopping season. This campaign with an estimated budget of $ 5 – $7 million themed “I am Generation Image“, is essentially a plea to the generation Y – the millenials –  to shoot more with a DSLR than with their phones. (source)

So what is this campaign all about? Check this video out.

This attempt at speaking to the millennials by asking them “Are Your photos good enough?” loses out on two counts:

  1. In putting people first: in fact it challenges them in a way that might actually provoke them to go out of their way to shoot outstanding photos with their phone camera
  2. In celebrating the art of photography: While the campaign does have at it’s core this page being promoted through this video audaciously titled “See Through The Eyes Of This Generation”, the content on the page tries hard to dumb it down for their TG. Sample this: “Zoom out as wide as you can, and you can even do selfies on a DSLR”

Really? All this from the brand whose theme has been to be proudly “At The Heart Of The Image”?

(Featured Image: IamGenerationImage.Com)